From the Porch to the Gallery: Southern Folk Art from the Collection of Ann and Ted Oliver

Brunk Auctions is pleased to be working with the Oliver family to bring their carefully assembled collection to you. Over the course of several auctions you will have an opportunity to engage with and acquire all of the greats in American self-taught art. The first of these opportunities will be November 14, 2025, view the collection here.
Rolman-Smith examining the North Carolina Executive Mansion Chandelier
“People, by nature, are acquirers of objects that they find interesting. Art collectors, however, gather with a deeper vision. Each work enters a collection with purpose and meaning, shaped by the discerning eye and passion of the collector. 

Our focus was to bring together a body of work that offers a unified view of Southern culture. This Collection reveals the values, memories, visions, and belief systems that distinguish the people and places of the South in the 20th and early 21st centuries. 

Over the course of more than twenty years, we traveled extensively throughout the region in search of contemporary Southern folk artists. This was never a passive pursuit. We often drove down gravel roads and through winding countryside, following directions that might end with “past the big tree after the fork in the road.” Along the way, we had the privilege of meeting the artists in their homes, often spending hours on their porches in conversation. 

We came to know each artist by name, learned about their lives and inspirations, and in many cases, photographed them alongside their work. These moments of connection—of listening and learning directly from the artists—are an essential part of the provenance of this Collection. Each piece is accompanied not only by the artist’s vision but also by the story of their life, their place, and their time. 

All of the artists represented here are self-taught, each creating with a voice uniquely their own. While certain themes recur, every work reflects the particular history, environment, community, and beliefs of its maker. Together, these works form a vivid and authentic record of Southern life—sometimes joyful, sometimes challenging, always deeply human. 

For us, collecting has been a labor of love, an act of persistence, and a devotion to preserving the voices of these artists. This Collection is not only a record of art but also of relationships, travels, and the enduring spirit of the South.”

Ann and Ted Oliver 

Rolman-Smith examining the North Carolina Executive Mansion Chandelier
Ann and Ted Oliver devoted more than two decades to building their collection of Southern folk art, a labor of love shaped by both passion and persistence. Prior to the opening of their gallery, Ann Oliver finished her graduate studies in Art History with an M.A.from Ohio State, was an intern at the then gallery of art of the University of Miami and Curator of Education at The Center for the Fine Arts now known as the Perez Miami Art Museum. In 1992 she joined the High Art Museum as their Curator of Education. Teddy Joe Oliver was a distinguished educator and leader who served as President of the Georgia Art Education Association, sat on national and international arts education boards, and held numerous leadership roles across Georgia and beyond. In 2005, following his retirement, he and Ann relocated to Hendersonville, North Carolina where they opened Olivers’ Southern Folk Art. 

Through their work with the gallery, Ann and Ted accumulated an immense collection of Southern folk and self-taught art. Unlike many collectors, the Olivers did not rely on the services of a dealer or go-between; they sought out the artists themselves. They traveled extensively across the Southern United States and spent hours in conversation with the artists, listening to their stories, learning about their lives, and capturing photographs that preserve the moments of connection.

In addition to their involvement with the artists on a personal level, the Oliver’s were significantly involved in the expansion of awareness and appreciation of Southern folk and self-taught art. Ann and Ted were contributors to numerous exhibitions throughout the years such as “Outsider Visions”, Boca Raton Museum, 2011, “Response and Memory: The Art of Beverly Buchanan”, Morris Museum of Art, Augusta, GA, 2010 and Asheville Art Museum, Asheville, NC, 2010, and “Contemporary Folk Art in the Southern United States”, Hendersonville, NC, 2009. Works from the Olivers can also be found in the collections of multiple institutions across the South, including but not limited to the Hickory Museum of Art, the Morris Museum of Art, the University of Georgia Art Museum, and the Asheville Art Museum.
Important Early David Drake Attributed Inscription Jar, sold by Brunk Auctions, November 21, 2020

Ted with artist R.A. Miller as he signs Blow Oskar, Lot 2270

This deep personal engagement is central to the collection. Each piece carries not only the artist’s vision but also the history of the relationship between artist and collector. The Olivers knew each artist and valued their work as both cultural record and individual expression. 
Conference views at SEMC in Louisville and Brunk Auctions in the SEMC program

Ann sitting with artist Beverly Buchanan alongside a newly acquired “museum [level] piece”.

Conference views at SEMC in Louisville and Brunk Auctions in the SEMC program
Ann sits alongside Chris Clark in a booth filled with artworks from Olivers’ Southern Folk Art

The first offering from this monumental collection will be set in our American & Southern | Session II auction on November 14, 2025. Around 70 lots of Southern folk and self-taught art will be brought to market. Highlights include a large Sam Doyle composition, a captivating Minnie Evans cut-out, and a Clementine Hunter once owned by Fashion Designer Rudi Gernreich. These, among numerous works by artists such as Jimmy Lee Sudduth, Mose Tolliver, Thornton Dial, Lonnie Holley, and countless others.

Louisville Slugger Factory and Museum and the Derby Museum at Churchill Downs

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